<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>review Archives - Empoword Journalism</title>
	<atom:link href="https://empowordjournalism.co.uk/tag/review/feed/" rel="self" type="application/rss+xml" />
	<link>https://empowordjournalism.co.uk/tag/review/</link>
	<description>Led by women. Uniting and empowering journalists across the globe.</description>
	<lastBuildDate>Thu, 02 Oct 2025 05:12:22 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1</generator>
	<item>
		<title>Doctor Who Series 15: The highs and lows of a show finding its feet</title>
		<link>https://empowordjournalism.co.uk/all-articles/entertainment/doctor-who-series-15-the-highs-and-lows-of-a-show-finding-its-feet/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/entertainment/doctor-who-series-15-the-highs-and-lows-of-a-show-finding-its-feet/#respond</comments>
		
		<dc:creator><![CDATA[Olivia Hughes]]></dc:creator>
		<pubDate>Mon, 21 Jul 2025 18:28:27 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Doctor Who]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Olivia Hughes]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[tv]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=68602</guid>

					<description><![CDATA[<p>Olivia Hughes Season 15 of Doctor Who showed that the series has the potential to be fantastic, but lacks the capacity to follow through on dynamic storylines. The fifteenth series of the British science fiction television programme Doctor Who premiered on 12 April 2025 and started off incredibly strong. It</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/entertainment/doctor-who-series-15-the-highs-and-lows-of-a-show-finding-its-feet/">Doctor Who Series 15: The highs and lows of a show finding its feet</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/entertainment/doctor-who-series-15-the-highs-and-lows-of-a-show-finding-its-feet/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Code of Silence Review: A Wasted Opportunity?</title>
		<link>https://empowordjournalism.co.uk/all-articles/code-of-silence-review-a-wasted-opportunity/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/code-of-silence-review-a-wasted-opportunity/#respond</comments>
		
		<dc:creator><![CDATA[Kelsey Lee Pargeter]]></dc:creator>
		<pubDate>Tue, 24 Jun 2025 04:54:44 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[ITV]]></category>
		<category><![CDATA[Kelsey Pargeter]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[tv show]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=68989</guid>

					<description><![CDATA[<p>ITV’s latest drama Code of Silence (2025) had all the ingredients to be something extraordinary. Rose Ayling-Ellis stars as Alison Wood, a deaf canteen worker unexpectedly drawn into a high-stakes police investigation by DS Ashleigh Francis (Charlotte Ritchie) because of her lip-reading skills.</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/code-of-silence-review-a-wasted-opportunity/">Code of Silence Review: A Wasted Opportunity?</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/code-of-silence-review-a-wasted-opportunity/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Brutalist: A Memorial of Power and Identity</title>
		<link>https://empowordjournalism.co.uk/film/the-brutalist-a-memorial-of-power-and-identity/</link>
					<comments>https://empowordjournalism.co.uk/film/the-brutalist-a-memorial-of-power-and-identity/#respond</comments>
		
		<dc:creator><![CDATA[Marie Kouppi]]></dc:creator>
		<pubDate>Tue, 15 Apr 2025 18:43:32 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Contributors React]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Adrien Brody]]></category>
		<category><![CDATA[Maria Kouppi]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[The Brutalist]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=64409</guid>

					<description><![CDATA[<p>Marie Kouppi A combination of ambition and the harsh realities of post-war displacement—Brady Corbet&#8217;s The Brutalist is a cinematic achievement. It is a story that resonates deeply, particularly in an era where the experiences of immigrants and the challenges of artistic integrity remain painfully relevant. The film takes audiences on</p>
<p>The post <a href="https://empowordjournalism.co.uk/film/the-brutalist-a-memorial-of-power-and-identity/">The Brutalist: A Memorial of Power and Identity</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/film/the-brutalist-a-memorial-of-power-and-identity/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>High Fashion by Addison Rae Review: &#8216;Controversial, raunchy, and catchy&#8217;</title>
		<link>https://empowordjournalism.co.uk/all-articles/high-fashion-addison-rae-review/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/high-fashion-addison-rae-review/#respond</comments>
		
		<dc:creator><![CDATA[Ava Hicks]]></dc:creator>
		<pubDate>Sun, 13 Apr 2025 22:26:41 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[#Empoword]]></category>
		<category><![CDATA[Addison Rae]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[high fashion]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[TikTok]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=65032</guid>

					<description><![CDATA[<p>Addison Rae has been a Gen-Z household name for years. From her popular TikToks to her infamous Netflix movie He's All That, and now her burgeoning pop-music career, Rae has seemingly found her port of call.</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/high-fashion-addison-rae-review/">High Fashion by Addison Rae Review: &#8216;Controversial, raunchy, and catchy&#8217;</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/high-fashion-addison-rae-review/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Nosferatu Review: A Beautifully Grotesque Vampire Horror</title>
		<link>https://empowordjournalism.co.uk/all-articles/nosferatu-review-a-beautifully-grotesque-vampire-horror/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/nosferatu-review-a-beautifully-grotesque-vampire-horror/#respond</comments>
		
		<dc:creator><![CDATA[Charlotte Smith]]></dc:creator>
		<pubDate>Sat, 29 Mar 2025 17:47:43 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[lily-rose depp]]></category>
		<category><![CDATA[nicholas hoult]]></category>
		<category><![CDATA[nosferatu]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[willem dafoe]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=64119</guid>

					<description><![CDATA[<p>Nosferatu, written and directed by Robert Eggers, is a beautifully grotesque vampire horror that doesn’t conform to its typical conventions.</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/nosferatu-review-a-beautifully-grotesque-vampire-horror/">Nosferatu Review: A Beautifully Grotesque Vampire Horror</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/nosferatu-review-a-beautifully-grotesque-vampire-horror/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Breaking Barriers: A Review of Patience</title>
		<link>https://empowordjournalism.co.uk/all-articles/breaking-barriers-a-review-of-patience/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/breaking-barriers-a-review-of-patience/#respond</comments>
		
		<dc:creator><![CDATA[Kelsey Lee Pargeter]]></dc:creator>
		<pubDate>Wed, 12 Mar 2025 16:54:08 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Channel 4]]></category>
		<category><![CDATA[Kelsey Pargeter]]></category>
		<category><![CDATA[patience]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[tv]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=64034</guid>

					<description><![CDATA[<p>All 4’s Patience is a thoughtful depiction of neurodivergence that nobody in the modern world should miss. </p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/breaking-barriers-a-review-of-patience/">Breaking Barriers: A Review of Patience</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/breaking-barriers-a-review-of-patience/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Celeste Releases Evocative Single &#8216;Everyday&#8217;</title>
		<link>https://empowordjournalism.co.uk/all-articles/celeste-releases-evocative-single-everyday/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/celeste-releases-evocative-single-everyday/#respond</comments>
		
		<dc:creator><![CDATA[AmritBains]]></dc:creator>
		<pubDate>Sun, 09 Mar 2025 00:37:17 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Amrit Bains]]></category>
		<category><![CDATA[celeste]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[soul]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=63892</guid>

					<description><![CDATA[<p>A new sound accompanies a new year as Celeste releases her single 'Everyday'. Produced by Zach Nahome, it samples Death in Vegas’ classic song 'Dirge' (1999).</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/celeste-releases-evocative-single-everyday/">Celeste Releases Evocative Single &#8216;Everyday&#8217;</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/celeste-releases-evocative-single-everyday/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Babygirl Review</title>
		<link>https://empowordjournalism.co.uk/all-articles/entertainment/babygirl-review/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/entertainment/babygirl-review/#respond</comments>
		
		<dc:creator><![CDATA[violetapaez]]></dc:creator>
		<pubDate>Tue, 04 Mar 2025 16:38:01 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[babygirl]]></category>
		<category><![CDATA[nicole kidman]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Violeta Paez]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=64080</guid>

					<description><![CDATA[<p>Babygirl (2024), directed by Halina Reijn, is an erotic thriller which received mixed reviews from both critics and audiences.</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/entertainment/babygirl-review/">Babygirl Review</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/entertainment/babygirl-review/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Mufasa: The Lion King &#8211; A Tale of Ambition and Brotherhood</title>
		<link>https://empowordjournalism.co.uk/all-articles/entertainment/mufasa-the-lion-king-review/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/entertainment/mufasa-the-lion-king-review/#respond</comments>
		
		<dc:creator><![CDATA[Kareena Rana]]></dc:creator>
		<pubDate>Tue, 04 Mar 2025 01:32:32 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Kareena Rana]]></category>
		<category><![CDATA[Mufasa]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[The Lion King]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=63797</guid>

					<description><![CDATA[<p>Mufasa: The Lion King was released on 20th December 2024 as the prequel to the 2019 remake of The Lion King.</p>
<p>This latest addition to Disney’s live-action adaptations was directed by Academy Award-winning filmmaker Barry Jenkins.</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/entertainment/mufasa-the-lion-king-review/">Mufasa: The Lion King &#8211; A Tale of Ambition and Brotherhood</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/entertainment/mufasa-the-lion-king-review/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>A Masterclass In Characterisation: A Real Pain Review</title>
		<link>https://empowordjournalism.co.uk/all-articles/a-masterclass-in-characterisation-a-real-pain-review/</link>
					<comments>https://empowordjournalism.co.uk/all-articles/a-masterclass-in-characterisation-a-real-pain-review/#respond</comments>
		
		<dc:creator><![CDATA[Bethany Lee]]></dc:creator>
		<pubDate>Thu, 30 Jan 2025 15:57:30 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[a real pain]]></category>
		<category><![CDATA[film review]]></category>
		<category><![CDATA[jesse eisenberg]]></category>
		<category><![CDATA[oscar nom]]></category>
		<category><![CDATA[oscars 2024]]></category>
		<category><![CDATA[review]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.co.uk/?p=64218</guid>

					<description><![CDATA[<p>Jesse Eisenberg’s A Real Pain (2024) is heartwarming, amusing, and a masterclass in characterisation.</p>
<p>The post <a href="https://empowordjournalism.co.uk/all-articles/a-masterclass-in-characterisation-a-real-pain-review/">A Masterclass In Characterisation: A Real Pain Review</a> appeared first on <a href="https://empowordjournalism.co.uk">Empoword Journalism</a>.</p>
]]></description>
		
					<wfw:commentRss>https://empowordjournalism.co.uk/all-articles/a-masterclass-in-characterisation-a-real-pain-review/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Object Caching 8/8 objects using APC

Served from: empowordjournalism.co.uk @ 2026-10-20 13:13:13 by W3 Total Cache
-->